despite having numerous aliases, the production quality for prolific dutch house producer gerd has always stayed the same. following his 2013 collection of remixes of mks always, gerd is back with a two track debut release on dftd

following label own conception as a theater stage and an ideal space for artists and musicians, kuba sojka definitely fits envlp plans with *music from vhs tapes ep*. a work that goes beyond italian borders and confirms the international fame, immediately reached with the amazing *der himmer über berlin*.

for those who caught furness four 4 the floor ep, and are familiar with his work, this release is further evidence of how much of a fledgling purveyor of deep grooves and heavy-hitting rhythms furness is.

killer ep of hypnotic late-night techno from the rapidly maturing dark arts imprint. the brooding * point blank* kicks things off, combining twisted low end darkness with eerie orchestral stabs and immense claps – a darkly elegant opening. next up, * panic* is an essential joint, riding in on a tightly-controlled broken rhythm before a unique, string-heavy motif provides the intrigue. side 2 opens with the tensile funk of * downstream* – a sleek, driving dancefloor offering to get lost in, with space-aged atmospherics and bristling percussion sitting astride a tunnelling techno groove. finally the motorik * ricochet* combines submerged dub textures with slinky synth work – a strong closing statement for this towering record. tip! with support from the likes of dvs1, nd_baumecker, answer code request and alex do, dark arts is becoming an essential label.

just in time for the warm weather the king.of.nothing is back again with another double sider 12inch. this time kon reworks/remixes from the original multi track sessions, tee ess munks >kon kon vie & candidate for kon< two anthemic nyc bombs flipped with pure class that should work well on todays floors.

having started the year in strong fashion, fighting *the clone wars* on his own rekids imprint in january before following that with the rødhåd-remixed *repeat myself* on work them, matt edwards aka radio slave continues his 2014 ascension with his nonplus+ debut *dont stop no sleep*. another pared-down techno workout, *dont stop no sleep* is a classic radio slave roller imbued with the tougher edge of his earlier techno productions such as grindhouse and screaming hands, retaining the hallmarks of his most influential work whilst updating it with his now trademark energetic house style.

as one half of seminal hip hop duo organized konfusion, prince po helped elevate lyricism and shape the art form for years to come. after joining forces with danger mouse for his classic solo debut, po is now back with animal serum, entirely produced by west coast beatsmith oh no. oh no has made a name for himself in recent years with a series of acclaimed solo albums, group work as one half of gangrene (alongside alchemist), plus production work on everything from the latest mos def album to grand theft auto v. with two innovative artists joining forces for the first time, animal serum is a dark, psychedelic experience that even includes a long-awaited reunion organized konfusion reunion on the pharoahe monch-assisted smash

being around since may 2009, the greek imprint, blind stitch , now finds itself releasing a triple lp by label- head bengoa. a long story of sound and rhythmic communication can be found on this album, entitled -what you give-. this record features deep grooves, spiced with uplifting melodic crescendos and occasional collaborations, leaving a release full of impressions. laid back, groovy and mesmerizing sounds, take you through the narrative of this lp. with smoothly arranged soundscapes and old school synth vibes the record motivates listeners to move and get lost in the sounds. a productive output from bengoa, with focus on molding his own personal sound, and that of the alexandroupoli- based label. 3x12- of delicious deep house grooves, spiked with occasional vocal work, and reverberating glass like rhythmic percussions.

their newest song -red wine- it s quite a trip. modern nu disco sounds, great work on synths and hypnotizing voice of saint kitten takes the listener to another dimension.

2014 repress , fresh & effective techno tools from blue hour !
fresh & effective techno tools from blue hour. the first release on his self-titled imprint, setting the tone for whats to follow. pure, raw & defiantly minimalist 909 work outs, blurring the lines between geography & scene

sometimes it is best to let the music do the talking, this is one of those occasions. local talks 46th release comes from exciting debutant sameed. little did we know about sameed before we got the four tracks for this 12 inch, for all we know it could be your neighbour. quick-firing the release is spend, functional as a set highlight with its dubby chords, vocal snippets and a wonky bassline. included on the b-side is a dub that will work perfect as a dj tool for those who want to go a little bit deeper. showcasing sameeds sense for keeping things stripped down and sweaty, still is a dirty exercise in acid witchcraft while getyoself can best be described as a delicately raw rhythm with dark textures.

emerging on the scene in 2008, luigi madonna has established himself as a young, extremely gifted italian dj. he pays tribute to old school european techno artists in a fresh way, blending in a fusion of experimental sounds and beats. his work not only would appeal to any dj or club-goer, but easily could attract the attention of major video game labels for an unforgettable experience.

part 1 of vinyl release from the naturally cd this is a pure and natural look and listen... to dana ruh producer extraordinaire! deeep serious house music! pressing on dark red coloured & marbled vinyl.

cgi is proud to present the debut of 2 new duos who are experts at making their synths and sequencers sweat divine moisture. lyman-alpha forest is a new collaborative project between producers grey people (proper trax, finale sessions) and talk (deconstructure). as a duo they work to bring acid into new territories with their heavy, low-slung approach to producing melodic-and-spacious yet tight-and-focused slow-burning club-weapons. whether or not this is due to a stroke of compositional genius or if it is simply a side effect of the high levels of sizzurp found in the tap water in their hometown of nashville is irrelevant, but the effect is intoxicating all the same. travel 7 hours up i-65 and you will end up somewhere in chicago where afterburner spends long cold winter nights painting vivid synthesized tapestries as epic as the citys skyline. the duo of nicholas reed (windbreaker) and travis thatcher (voice of saturn) employ an aresnal of modular and analog gear to produce lushly cinematic tracks that chug along like classic moroder productions while simultaneously evoking the rich melodicism of kraftwerk. whether you listen to them at home in the headphones or on the dancefloor in the club, these tracks will take you on a wild ride.

i d been thinking about starting a label for a few years but it never really seemed like it could work. nowadays there is more coherence in my productions it seems like the right time. i will be releasing music from other artists as well my own stuff - underground house, techno and the rest, stuff with darkness and sexiness. hopefully it is music that will speak to (somebodys) heart as well as their feet. the first release is called no splice no playback and it is two tracks of house music. vinny (flamingo) is a basement thing, suckle (twenties) works in warehouses too. thanks for reading. -mosca

after a brief hiatus church are back with a debut offering of original material from apes. the a side *two thousand six* is a straight up techno work out, having been tried and tested this track is aimed directly at the dance floor. chaos in the cbd are on board for the remix taking us on a journey of warm, deep, subtle analogue house fresh off the back of their stand out track *78 to stanley bay*. the b side *cold love* goes some way to show apes’ versatility as a producer, it’s a nostalgic piece of work, with a pulsating bass-line driving through the track along with intricate percussion and a choice vocal sample to round things off. cold love is equally suited for the club or for home listening. apes right hand man seb wildblood takes the track in a slightly different direction, using elements of the percussion and transforming the vocal sample for a delightful melodic contribution to the ep. early support from paul woolford, breach, ben pearce, dusky, alexander nut & more.

deep darker workouts by the artist that brought us the mmt tapes series ....... killer! jorge velez returns to rush hour with a new two-track 12 inch. also known for his work as professor genius and under other monikers, velez has long been one of the us undergrounds most revered figures to those in the know. ausland delivers two deep, darker, low-fi techno jams by this veteran jersey-based producer…

peur bleue records is pleased to present the release of nummers first ep, >beyond time - interpretations<. the london-based duo offer their perception of atemporality through rugged rhythms and enigmatic collages. their exploration of new, analogue passages clearly reflects their inspiration in detroit techno, whilst offering unexpected sonic twists along the way. from classic four-to-the floor to outer-space arrangements, nummer layout raw drum work and emotive atmospheres with finesse

mancunians and have lead the way when it comes to the industrial techno revolution of recent times and now serve up three such tracks on ann aimee. coming after plenty of great work on their own eponymous imprint.

since his debut in 2009, loops haunt has continued to confound and excite with an output as mercurial as it is rare. toying with jungle and hip hop on zenith and outright sound design on ark, the wilderness-bound beat alchemist uses his isolation to explore and even create his otherworldly sound palate. lurking behind immaculate drums are the windswept sounds of the desolate north and mechanized textures plucked from his father s own workshop. here we embark on loops most complete work to date. exits is designed to be listened to as one continuous track, opening with ambient mood and emotion, layering outboard synths and found-sounds on the title track and trap door. an unexpected calm beginning is shattered in the second act with the pounding rhythms and industrial heart beats of howl and iiva. exits is an insight into a uniquely unpredictable talent and rare chance to be immersed in his sound.

hommage this is already the third release for our little baby s p i e l and as we are on a constant search for the more leftfield and not so deep house esque dance music it was a very happy surprise to find an amazing demo in our mail box by the swiss indie dance/ electronic duo mercury. the bern based act already made a name for themselves by releasing on the great gomma label and by doing remix work and collaborations with people like robert owens, byron stingily, tom trago,munk and two door cinema club. these three new tracks are a well crafted mix of electro, disco, house and deep techno.

ultra ltd edition clear vinyl
official re-edition of mike dunn classic released on rhythm beat 1991 by phil weeks & didier allyne. timeless

each ep adopts the work of an artist translated to musical form.
when you dream where does the light come from? there is a light that has clarity as great or greater than the daylight vision, and a lucidity of color that s beyond how we see color now ... i m interested in the point where this meets the imaginative vision that comes from seeing what we want to think of physical reality as outside, because it has a lot to do all which how we create reality. - james turell
within the walls, lighting(s), james turrell built spaces of solid material. the aim is not to also penetrate the foundations, passing through space, leading us to consider the immaterial, the mind. divergent ways first four compositions much like the four first light compositions, have sought to externalise the imaginative vision making it apparent.

kiwanuka, a 25 year-old uk native of ugandan heritage, was raised in north london where he split his time between session work and local gigs. along the way, having found footing as a solo artist, he was signed to communion records, then polydor, and has since performed throughout europe and north america too touring in direct support of adele. he made his way through nashville this past summer with just enough pause and aplomb to commit these morsels to tape. the a-side *you ve got nothing to lose* is an original composition, featuring the buzzards dominic davis on upright bass and cory younts on piano, joined also by fellow balladeer lillie mae rische on fiddle. their contributions transform his work into a stone-cold groove with almost orchestral underpinnings, making it a fitting extension of their previous blue series. the single also features a chilling rendition of townes van zandts infamous *waitin round to die* on the b-side, the perfect compliment to the timbre and mood of the a-side.

luaka bop will release william onyeabor - what?!, for which the label partnered with moog to commission remixes and covers of the remarkably elusive african electronic artist william onyeabor, on 2lp vinyl for record store day, april 19. the collection features reworkings of world psychedelic classics 5: who is william onyeabor?, one of the most critically acclaimed albums of 2013. in the absence of participation from onyeabor, who long ago turned his back on music, luaka bop continues to engage other artists to create work, inspired by onyeabor, in various mediums. william onyeabor - what?! opens with hot chips cover of the onyeabor landmark *atomic bomb* and also includes jd twitchs (optimo) cover of *why go to war?*.

adrian niculae is pleased to announce his second release under his own motif imprint. electrip ep comes with two tracks, revealing again his own typical approach to micro house. a smooth bass line with melodic synths on side a merged with a groovy, percussive track with a taste of acid on side b. another excellent work coming from romania, 180gr quality record with full artwork.

flowing acidic lava from new abstract acid discovery etcher. polytom dusk is a mindtrip of wriggly 303 sequences and spectral synth work, demonstrating that even after 25 years, the familiar squelch can be pushed into new and exciting directions. a must have for any acid fan. limited to 300 copies.

no doubt some tracks immediately deserve to become a vinyl, endowing them with a halo of fetichism. thus, poetic justice transforms a flawless work into a material, enjoyable edition.
limited edition pressing on transparent, yellow colored 10 inch vinyl.

when you finally achieve a long sought after goal, dont think of it as you making it, but rather that it was not challenging enough to begin with.
epi centrum is jurek przezdziecki, who you may be familiar with thanks to his numerous releases on labels like cocoon, affin and synewave. known for always pushing sonic boundaries, as well as seeking new sources of inspiration, he is undoubtedly one of those artists who does anything but tow the line. raw, organic electronics, mixed with precision in execution are at the very heart of jureks output and his work has thus far received praise from the likes of depeche mode, laurent garnier, sven väth and damon wild.

introducing co-ops volume 1!counter004 brings together three new artists to the label, berliners roman lindau, cassegrain and savas pascalidis, alongside counterchange family member nubian mindz for this 4 track various artists 12inch.the result offers four distinct, expertly crafted techno jams in the classic tradition. real dj tools to come back to, that mature with repeat listening. versatile moments to work into non-linear sets, from four artists who each propose unique blueprints for club music today. counterchange, 2014

in time, plusculaar has become an indispensable asset to our label so it is only fair that we kick off this esemtrax limited vinyl series with his *rumänische* ep. after the massive success *stai jos* on enough! music, it is our turn to take advantage of his talent so we asked for some top quality tracks. the result is mind blowing! it contains his finest work yet, a blend of techno and minimal, the very well known romanian sound.
played by: richie hawtin, someone else, amine edge, transmit promo radar, luca doobie, mariano mateljan, guido durante, herck ceryx, ovidiu adrian, indy lopez, edgar de ramon, javi alvado & thc, pantany, claude solis, alessan main, elchinsoul, michel de hey, marco carola, dirty culture ...

mr. feeling/house is mr. feeling lp + 12inch k003lp exclusive amazing work from mr. feeling (rumored to be jordan fields). i want to jack pays heavy tribute to chip e, while what are you looking for sounds like marshall jefferson. 2020 is a classic jack track & trust the vibe sounds like a larry levan b-side dub! includes a bonus one-sided 15 min 12inch house

this is second instalment of the hot natured remix project. part two features nic fancuill’s tech-driven barnstormer of a remix of benediction! hot on its heels is luca c & brigantes dirty disco-tinged cosmic-house beast of a remix of alternate state. on the b side citizen goes to work transforming *take you there* into brooding deep maelstrom of a mix, dark and sinister. finally tom shorterz tweaks out the original of reverse skydiving into techy dark groove affair that completes this great remix package.

limited edition off 300 copies with hand screen printed cardboard inlay.
after travelling through the far flung galaxy for 002 ... forgotten corner aka phil banks & nick mackrory come back to planet earth & keep everything in house for their third label release. side a is kind of a track of two halves written and produced by nick mackrory - consisting of a 2 minute samba driven vocal intro, full of live instrumentation and featuring the live vocals of harry collier, before breaking down in to a deep hypnotic slow motion arpeggiated electronic groove! side b takes things back down in to the dark basements ... amongst the smoke machines, strobes & cans of warm red stripe! where phil adds his touch ... losing the live intro and taking things on a much more deep electronic instrumental bass wobble work out! still keeping the arpeggiated moog but with tougher beats and a much dirtier feel.

after the we make music vinyl trilogy release in 2013 house is ok men are back and ready to kick it. they took their time polishing this new black piece of gem youll be holding in your hands and after a period of careful track selecting, dedicated a&r work and multiple mastering sessions they proudly present the first, full ep on the label!

killer re issue from 1992 of mood ii swing productions on eightball records. some of their greatest instrumental work is present on this 12inch! fully remastered for 2014. released in original artwork in conjunction with eightball records.

po folk sees berlin newcomers make a welcome return to klasse recordings, their second ep for the label is a stripped to the bone work-out of all killer no filler.

200 copies only! for their latest installment, fast-rising ukrainian imprint artreform call on the inimitable strands of grzegorz ochman aka leão, a producer whose name you might well recognize thanks to his previous work on robot needs oil

once again nsyde welcomes new yorks best kept secret reade truth and amsterdam based unique artist mobach to the small but constantly growing family. two planets sharing the circled space around the same blackhole on nsyde008. gravity do your work!
support by: basic soul unit , dj spider, brendo moeller, ed davenport etc.

if you have ever wondered what it would have sounded like if can grew up going to see ron hardy at the music box and then recorded an album together with francis bebey in the congo, the debut record from black deer may be just for you.
the work of prolific brooklynite william burnett, whose aliases include willie burns, grackle, speculator, galaxy toobin (with eliot lipp), pg&s (with jorge velez) and smackulator (with legowelt) is psychedelic in the truest sense of the world. sprawled across six tracks, burnett fuses various outsider loner genres unto one definitive vision quest all his own, that of the black deer.
limited edition of 400 copies with hand assembled black foiled museum board on silkscreened covers. features fold-out poster and stamped labels by artist marion guillet.

steve lees (the project club) above machine label returns with another superb release from acclaimed italian duo almunia their last single for am was a best-seller, and their celebrated output through paul mudd murphys claremont56 label, including the recent pulsar lp has seen the their blissful & uplifting balearic sound win over many a new follower *find my way* is a gorgeous, acoustic guitar led vocal number, conjuring up twilight beach side boogie, balmy breezes and ice cold drinks. marius circus gets to work on the b side, taking the irresistible melodies to a much later, darker dancefloor. laying a foundation of squelchy moog style bass and a toughened up rhythm track before heavily effected guitars sweep across the mix elevating the whole thing to near transcendental heights! a superb release and addition to the above machine catalogue.

winter is almost over but for the uy080 we decided to dip our label paint-brush deep into a potty filled with white. the painter is called ruede hagelstein and his work of art is simply called minus. a track with the charm of a winter-landscape, fully accomplished, crystal clear and warming like an analogue heater. wearing almost nothing and casted into a snow-white plate it will be a pleasure for all vinyl collectors.

strong techno on a global level featuring swedish producer petter b who is originally known for his work under the name hertz years ago now joins the roster and throws down two big room bombs that have been getting strong play in all the major clubs. on the flip side ukrainian producer rhomb returns to form with two cuts one deep and one jackin that make this ep a real killer, dont sleep on this. tip from beyond!

an imaginary country continues from the trajectory of tim heckers last album, the critically acclaimed harmony in ultraviolet, while also showing a few new tricks. tim has incorporated more pulses into this work and also works with a sound pallete including overdriven mellotron strings and synthesizer. at times this album is less overtly aggressive than previous works, but the notion that this is pastoral work would be dead wrong as there are plenty of the agitated crescendos that he is know for. this music backs off from the void of immensity in favor of a terrain of lushness and warmth.

valcrond video presents the next work by sound and image artist luke wyatt, songs from bad kid school

unreleased early juke tracks on this classic chicago label. real deal & heavyweight snap on this stuff.

denis clifford, jus-ed, jenifa mayanja & andrew duke take 4 tracks from the *miracles of matter* album & work them up into a warm classic sound. pressing on red coloured & marbled vinyl.

for our 5h release, we decided to bring you guys one of the best producer right now: innershades with his toxic trax! straight from belgium, this young talent has been recently supported, thx to his releases via wicked bass, crème organization & now skylax by some of the best & well known djs around such as julio bashmore, serge clone, nina kraviz (he even wrote a track called *nina at the boiler room*! i guess you understood why), red d (fcl) & ben ufo. some real proper djs & producers who were attracted by his raw & hard hitting house he delivers uson this well named toxic trax ep 6 amazing cuts that are divided in 2 parts: the twilight side & the ghetto side.

when luke solomon got in touch and said he wanted to work with local talk we felt both honoured and happy, especially since we have been fans for a long time and mats actually booked him to his raw fusion club in the late 90s. he has been around long enough to be considered a legend within the scene. we couldnt agree more. lost channels, a 130 bpm piano driven and punk-dubby new york inspired house track comes in two versions. the raw & stripped version is exactly what the name says, sharp snares & hi-hats, piano chords, a driving rhythm with lukes trademark percussion sprinkled on top. the live piano version is actually the original version and is peppered with more of everything. bubbly fx, more of that staccato piano and of course that muscular bassline. for remix duties it is the return of an old local talk friend, wil maddams. it seems like wil has spent some time in detroit since last time. this remix sounds like something that would come straight out of the d, his clever drum programming holds this track together with its deep pads and bubbling bassline. it is a retro (but fresh) techno jam for 2014.